The Company

The Company

At the bottom of every flaw exists a thread that we do our best to pull because this is a golden thread.
We are imperfect so we are precious.

Where? How long?

Located in Angers (Maine et Loire) the “Les Etablissements Lafaille” Company is making its first steps since it has existed for three years (since 2017).

Why “Les Etablissements” (The Establishments)?

Because it is grandiloquent. It is the grandiloquence of the clown. The reflect of his absurd and moving persistence to exist. His generosity is only an instinct of subsistence. He has no other choice than doing everything he can so as not to slip into oblivion or ignorance. This is precisely what moves us, maybe because it is finally what defines our little human condition

Why “La faille?” (The Flaw)?

Because we have been trained as clowns, imperfection calls on us, moves us. Imperfection tells the essence of everything. At the bottom of every flaw exists a thread that we do our best to pull because this is a golden thread. We are imperfect so we are precious.

 

Because we leave some space to the imagination of the viewer. A flaw is a space, an empty space, in which everything can exist, from where everything can come out.

As we have been trained as mimes, we play with space. We create the edges, the centers, the depths, the heights, the emptiness, the fullness to invent perspectives from nothing apart from our own bodies.

More than anything else we want the viewer to have some space to visualize, to feel, as long as his memories come up to the surface like a breath of fresh air. As long as the viewer recalls his jubilation to imagine.

Our influences, this wind which pushes us

The language of pictures, of situations or of landscapes.

“I have been very much influenced by Chaplin, Keaton and Loyd’s silent movies and among our contemporaries by Aki Kaurismäki’s movies and by Depardon’s photos.

These discoveries which moved me, have obviously influenced the way I write.

It is a language with which I have been working for 20 years with 3 main disciplines: the clown, the marionette and the mask” (Tony Noyers)

THE ARTISTIC TEAM

We’re not here by chance, but precisely because of our inner sensitivities, our flaws and frailties.
They are the essence of our characters. They are the depth of our creations.

Julien Cheray : Comedian on VERY LOST

Comedian / improviser / clown / Le temps des noyaux company / Lez’Arts Vers company
Trying to catch what’s unreachable. And then try again, again and again ; "Someone to help me? Anybody there?"

Arnaud Nedelec: Comedian on VERY LOST and SO BIGGER

Comedian / improviser / La belle chute company / Les expresso company
Inventing lots of lives, quickly, right now, lives other than your own. Live other lives, live the lives of others as quickly as possible.

David Robichon: Comedian and assistant director on VERY LOST

Clown / Comedian / Lecoq education (Paul André Sagel) / Rire médecin / Lez’Arts Vers company
He’s here for his absurd universe and his ramshackle body. He’s here for his exacting standards and precision.

Tony Noyers : Comedian, author and director on VERY LOST and SO BIGGER

Clown / Lecoq education (Paul André Sagel) / Démons et Merveilles company / Jo Bithume company
He’s there for its candor, innocence and impertinence. He’s there to make heads stand up, to keep noses looking up... He’s there for its ability to rekindle our jubilation in imagining.

Marion Gouvernet : Comedian on SO BIGGER

Clown / Comedian / Lecoq education / Rire médecin / K-Püch company
She’s there for her incredible ability to never doubt her doubt. She’s there to remind us that we’re only made up of our certainties.

ADMINISTRATION

Marine Roucheteau

Production
She’s there, very very there. She doesn’t let go of anything. Producing and broadcasting the shows; organizing tours in all directions with different teams, in English, in French, in Spanish... that's her adrenaline.

Without forgetting

The Executive Board

Pierre Dolivet, president

Katell Martin, secretary